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Arrow Records Caltiki: The Immortal Monster - Green Vinyl Arrow Records Caltiki: The Immortal Monster - Green Vinyl 67.98 AUD Translucent green vinyl // Gatefold sleeve with new artworkNotes by Tim LucasARROW RECORDS proudly present the original soundtrack to Riccardo Freda and Mario Bava's sci-fi horror cult classic, CALTIKI: THE IMMORTAL MONSTER! Previously unpublished on vinyl, CALTIKI is not only one of the earliest Italian horror film soundtracks but also the first of several fruitful collaborations between horror maestro Mario Bava and the talented composer Roberto Nicolosi, whose compositions for the film combine brassy orchestral bombast with unsettling atonal atmosphere.This limited vinyl edition has been newly mastered from the original 1/4 analogue tapes by James Plotkin and is presented on 180 gram wax, housed inside a 350gsm sleeve. Featuring newly commissioned artwork by Graham Humphreys, and accompanying film notes by Tim Lucas.SIDE A 1. Prologo e titoli2. Fuga dal terrore3. Il superstite e esplorazione delle rovine Maya4. Danza tam tam5. Discesca e esplorazione subacquea6. Seconda immersione e attacco del mostro7. Caltiki emerge dalle acque e fuga8. Ultime notizie e ritorno a casa9. Mutazione cellulare10. Analisi della cosa e aggressioneSIDE B 1. Forza oscura2. Il mostro immortale3. Metamorfosi di Caltiki4. Invasione5. Distruzione6. Fuga dalla casa7. L'assedio8. Distruzione di Caltiki9. L'assedio (alternative tak
Arrow Academy The Sorrow And The Pity Arrow Academy The Sorrow And The Pity 55.98 AUD Marcel Ophuls four-and-a-half hour portrait of the French town of Clermont-Ferrand under German occupation from 1940-44 is one of the greatest documentaries ever made, as important as Claude Lanzmann s Shoah in its value not just as a film but as an essential historical record in its own right not least since its interviewees are all long dead.Describing the fall of France and the rise of the Resistance, with the aid of newly-shot interviews and eye-opening archive footage including newsreels and propaganda films, Ophuls painstakingly crafts a complex, nuanced picture of what really happened in France over this period. He also demolishes numerous self-serving national myths to such an extent that, although he made the film for French television, they wouldn t show it for over a decade.But, as he demonstrates again and again, the overwhelming majority of French citizens during this period weren t heroes, villains or cowards, but simply ordinary people trying to make the best of an impossible situation. And it s Ophuls portrayal of these people, their hopes, their fears and their appalling moral quandaries, that remains unmatched in film history.